Archives For expat

England’s Shame

July 12, 2021 — 8 Comments

For shame England…. no, no, no, not the England football team who played their hearts out yesterday at Wembley in the Euro2021 final against Italy, and certainly not for the three gutsy young men who tried for penalties. No the shame lies firmly in the racist yobos who, undoubtedly, could not hit a barn door let alone bear the pressure of attempting to score a penalty against a giant of man, in front of a nation holding its collective breath.

Those screaming abuse both in person and on social media are quite likely of a similar ilk to those who forced their drunken way into Wembley stadium without tickets. By all accounts they stole seats from those who had paid, and hurled abuse at anyone who stood in their way. They couldn’t have cared less that their ignorant and shameful behaviour was witnessed not just by those who waited with bated breath for England to win after fifty-five years; they couldn’t have cared less that children saw and heard their foul language; they couldn’t have cared less that the world now looks on them and, by association, England as a bigoted and racist country.

Jadon Malik Sancho is twenty-one. Born in Camberwell, London to parents from Trinidad and Tobago – a Crown colony until 1962 – Sancho is considered one of the world’s best young players, a player of technical skill and creativity.

Bukayo Ayoyinka Saka is nineteen. Born in Ealing, London to parents from Nigeria – a Crown colony until 1960 – Saka plays for Arsenal and became the first player born in the 21st century to play in a Premier League match.

Marcus Rashford MBE is twenty-three. Born in Manchester and whose grandmother came from St Kitts – a Crown colony until 1983. Not only is Rashford a superb footballer but he has used his platform to campaign for those who are homeless, against child hunger and to encourage literacy. His activism and philanthropy was recognised by Her Majesty who made him a Member of the British Empire.

I wonder how many of those screaming racial slurs at these young men have done anything for anyone. Perhaps a reminder for these louts that, along with their grandfathers and great grandfathers who most likely were called to arms during the second world war, so too were men from Nigeria, Trinidad and Tobago, and St Kitts and Nevis.

45,000 Nigerian soldiers served in the 81st and 82nd West African Division of the British Armed Forces, mainly in Africa and Asia, and whose country was used a staging post for campaigns in North Africa. 

Men from the Caribbean had been recruited, or volunteered, for the British West India Regiments of the British Army from 1795 until 1962 when newly independent federations and countries formed their own defense forces. 

Following the outbreak of World War I many from the Caribbean Crown colonies answered the call for volunteers. Initially the British West Indies Regiment (BWIR) served in support roles, however, as it became clear more men were needed in fighting battalions, the volunteers served in Europe, North Africa and Palestine. After the successful campaign to clear enemy posts close to the British line in Palestine and which involved advancing across three miles of open land under heavy fire, the commanding officer of the 2nd Battalion BWIR, Major General Sir Edward Chaytor, wrote, ‘Outside my own division there are no troops I would sooner have with me than the BWIs who have won the highest opinions of all who have been with them during our operations here’.” 

The BWIR was disbanded in 1927 but during World War II nearly 10,000 British West Indians volunteered in the British Army, and in April 1944 the Caribbean Regiment was formed from 1,200 volunteers who served mainly in the Middle East and Italy. 

These three young British men, Saka, Rashford and Sancho should hold their heads high for their heritage is as proud and strong as they are. They must not let the benighted ravings of those only able to dribble beer and abuse to sully their extraordinary efforts both off and on the field of football.

And if Saka, Rashford and Sancho are in any doubt, they should remember those immortal words penned by Oscar Hammerstein and Richard Rodgers for the musical Carousel, now more famously associated with another football club, Liverpool, and which today is relevant for the whole England team.

Walk on through the wind

Walk on through the rain

Or your dreams be tossed and blown

Walk on! Walk on! With hope in your heart

And you’ll never walk alone

You’ll never walk alone

Perfume and Politics

March 27, 2021 — 2 Comments

A quartet of women, all the wrong side of sixty, stand around a beaten-up SUV in a glow of their own making as well as light spilling from the glittering interior behind them. Their shadows cavort. They are gleeful, like teenagers discussing the cute new boy in math class, or eight-year olds released from school. The air is perfumed by an array of scents emanating from their bare arms. From musky to sweet, floral to citric, their noses crinkle in delight or dislike. The same scent smells different on each of them. Chemistry, an active ingredient that comes both from the ornate bottles spritzed onto their wrists and their friendship. 

Laughter surrounds them as they display their purchases, boxes of perfume that could last them their lifetime, on the sea-and-sun-ragged vehicle. A mascara rolls down the slope of the hood, caught before it reaches the tarmac of the parking lot. 

Lyrics from the songstress perched on a barstool, playing her guitar, mingles with the trade winds that cool them, even in the quadrangle of a low-slung strip mall. A melange of orange blossom, jasmine and cedar waft a myriad of aromas. The bonnet is also a table for loot from swag bags. Mont Blanc and Coach, Boss and Cellcosmet jostle for space as exclamations swirl amidst the mirth. Swaps are negotiated, generosity fills the night.

The quartet’s conversation quietens and turns to the master class in marketing just witnessed. Their instructor, Raymond Kattoura, Director of Purchasing for Duty Free Retail whose base is in Miami, is also the host for the opening of Rouge – St Croix’s latest high-end perfumery and luxury goods emporium, situated at Orange Grove Shopping Center. A seemingly lack-lustre choice lacking in the charm and beauty that makes up so much of St Croix. 

“The store is located,” he told them, “not in Christiansted along the Boardwalk or on King or Company Streets, because the company’s target market is people who live on island rather than tourists passing through.” The staff at Rouge, their black clothing a foil to the shimmering array of bottles, added to the ambience with not only their quiet guidance but a willingness to join in the laughter as wrists and arms were held out for another scent.

“The senses must be stimulated and comfort is a major factor. The body and brain feeling in harmony. Freedom to choose in a relaxed environment. Pleasant staff. Good lighting. And ease of parking contributes to the equation.” His goal achieved, Mr Kattoura’s last statement has added significance as the friends loiter around the car.

“Even if I’m dressed like a tramp,” says one of the women putting her new perfume back in the bag, “I want to smell good!”

Fueled by Prosecco and fed by Teddy, an event planner with flair, their evening ends and fond farewells are made.

“A luxury brand is about more than just products, it is about lifestyle and experiences too.” Raymond Kattoura’s words reverberate as one of the women, me, prepares for bed. Fun and friendship, even behind masks, help the four of us, all vaccinated, enjoy an evening out – the first in a long year. 

As my eyes close, I am glad I made a pact with myself during the turbulent year just past, when the airwaves and ether were filled with reports unconducive to sleep. I no longer listen to, watch or read any news before bedtime, and so words from a song from my long-gone youth drift in and I smile, Oh what a night!

Daylight filters through the loose-weave curtains and I come to a consciousness of dawn and Bonnie, the cat, yowling. As I wait for the kettle to boil she curls around my ankles but rejects the offer of a cuddle. I take my mug of tea to the gallery and rejoice in the glorious place I call home. An island that embraces any newcomer willing to be polite and open to idiosyncrasies unique to every individual place.

I am relaxed, happy.

I press my phone for CNN. It was my first mistake of the day.

I read of the travesty of voter suppression just signed into law in Georgia – the state not the country. I see images of Governor Brian Kemp surrounded by white, predominantly middle-aged, balding men looking over their masks and in front of a painting by Olessia Maximenko of Callaway Plantation. Now an open-air museum that tells of its inglorious former existence as a slave plantation where runaways were hunted by dogs, and in a state wherein the tyrannical Jim Crow laws, demanding segregation of public buildings and blocking the right to vote for Blacks, were embraced with complete disregard for human dignity – or, in easy language, White Supremacy.

Gone, in the swoop of the Governor’s signature, are the results of the Civil Rights era.

Gone, also, in handcuffs was State Representative Park Cannon who happens to be a Black woman, a Democrat knocking on the door of the staged signing asking to witness the travesty. She was arrested by white, uniformed men in Georgia, the state not the country, Troopers.

Heather Cox Richardson in her Letter from an American this morning wrote of South Carolina Senator James Henry Hammond who, in March, 1858 rejected “as ridiculously absurd” the idea that “all men are born equal.” He continued by warning that the ballot box was stronger than ‘an army with banners’ and that appears to be the belief of those currently in the Georgia administration.

The Military Reconstruction Act in 1867 began, Cox Richardson reminds us, to establish impartial suffrage which Maine politician, James G Blaine, wrote in 1893, “changed the political history of the United States.”

Yesterday in Georgia, the state not the country, Governor Kemp and his minions, began an attempt to change the face of the United States in 2021 back to the bad old days. 

All Americans, whatever colour, whatever political persuasion, should be incensed. 

The glee, the frivolity and joy, in the company of Black and white gone in a puff of perfume, and the stroke of a pen.

Oh what a night!

Loneliness of Failure

February 22, 2021 — 2 Comments

I’ve said in the past, I might even have written it, that writing is a lonely business. I was wrong.

Writing is solitary, not lonely. When I sit at my computer, or even pick up a pen, I am transported somewhere, whether in time or place. Sometimes I cry as I type, sometimes I laugh, always I am engaged. The characters become real – their loves, their lives, their dreams, their idiosyncrasies. The hours fly by and, if I am in the house on my own, I might miss coffee, lunch and tea though, it must be said, rarely do I miss a glass of wine. But by that time the sun has set and I am nudged to rejoin the real world by the arrival of darkness and sometimes Bonnie, our deaf cat, yowling to be fed.

My solitariness is a privilege. Granted with grace by my husband as I spend day after day in my imagination and on my computer. And when the first draft is complete, I go back and attempt to fill the pages with SPICE. An acronym coined by my first publisher, Jo Parfitt of Summertime Publishing http://www.summertimepublishing.com. SPICE is what fills the writing with Specifics, Place, Incident, Characters and that most important of condiments, Emotion. SPICE is what makes the reader want, need, to turn the page – to read until dawn.

Initial edits are then made and, as the wait for comments from Beta readers stretches into weeks, I begin another story. I put that new world down to return to the novel that has filled my life for months and months. A rewrite follows, which is never a chore because I am once again embroiled in the lives of my characters. I delete. I add. I edit. I tweak until even I recognize it is time to let go. For now.

Filled with hope, I think of the words of Iranian-American young adult author, Tahereh Mafi, “Hope. It’s a fresh rain, a whispered promise, a cloudless sky, the perfect punctuation mark at the end of a sentence,” then I send the manuscript out in its search for a literary agent. That in itself is a job. 

Each agent requires systematic analysis into their likes and dislikes, their ‘wants’ and not ‘interested ins’. As I troll through pages of names I recognize my many flaws. No, I am not drawing on a tragic background as I weave my tales. No, I’m not part of the LGBTQ community. No, I’m not black, though a large part of my life has been spent in Africa. No, I’m not brown, though another chunk of years was spent in Singapore, Malaysia and Thailand. No, technically I don’t live in England, though it is my birth country and my father was British and part of my heart is embedded in the rolling Dorset hills, and in pre-COVID days I travelled there regularly. No, I don’t live in Australia but I spent seven years at boarding school in Armidale, New South Wales, and my mother was Australian …. and a large part of my heart is there too – but I’ve left slivers of heart in all the places I have lived. No, technically I’m not American though I am a citizen. No, I’m not from the Caribbean but I currently live there. Yes, I write English English but hey, I can adapt.

The pundits say write what you know. 

So what am I? What do I know?

I am a global nomad. I know the joys and challenges of relocating around the world. Of the isolation, tinged with excitement, of being the new arrival, again. Of living a sometimes disconnected life. And of feeling the agonies of guilt when we aren’t present for final moments, or weddings or births and birthdays. Of knowing the importance of saying good goodbyes in order to welcome the hello, the ‘mahnin, the sawadee-ka, the selemat pagi of a new country. Those are the emotions I draw on, those elements of spice that come from living and working in different countries and cultures, of learning new histories. That combined with a wondering, and wandering, imagination is what goes into my writing.

Novelist W. Somerset Maugham said, “There are three rules for writing the novel. Unfortunately, no one knows what they are.” I suppose the closest thing to a rule is the axiom most writers live by – ‘show, don’t tell’. But aren’t rules made to be broken? There really are times when ‘tell’ is the only option, and please excuse the following example, but sometimes an apple is just an apple. Sure, there are variations in colour, size and texture but there seems little need to describe the orb that falls from trees.

Christian Nestell Bovee, C N, to his pals, was an epigrammatic New York City writer who said, “There is probably no hell for authors in the next world – they suffer so much from critics and publishers in this one.” 

Whilst I don’t suffer from writing, and nor do I consider it a lonely occupation, I can state that waiting for agent responses is harrowing. And believe me when I say, once received, rejection is the loneliest business. Sympathy, and sometimes empathy, from friends and fellow writers eases the sting of rejection and, despite agent’s letters assuring hope may be found elsewhere but ‘this book is not for me,’ the failure is a most lonely affair. 

It is a jolt to the heart, a dart speared into the imagination, and all we can do is wallow for a sentence, maybe a paragraph then write on and think of Sylvia Plath’s admonition, “The worst enemy to creativity is self-doubt.”

Hope once again accompanies our solitary days.

How Does My Garden Grow?

February 8, 2021 — 15 Comments

My mother’s gardens around the world bloomed in abundance. The five-acre garden in the centre of Kuala Lumper, where the Twin Towers now loom over the city, is the one I remember best. Huge rain trees under one of which a King Cobra could often be found, much to human and canine consternation. A mangosteen grove, home to all manner of frightening things that I knew must lurk behind coarse trunks and amongst decaying leaves and fruit on the ground, led to the perimeter fence where I rarely ventured. But oh, the fruit, juice dripping from the plump, white flesh hidden deep beneath a thick purple skin, was heavenly and worth the risk of who knows what. And row upon row upon of my mother’s pride – orchids – purple vandas, striped yellow tigers, whites and pinks. Red hibiscus – bunga ray – the national flower of Malaysia, and canna, boisterous in their yellow and orange and red finery but also home to snakes who relished the damp ground. And frangipanis. 

Mum had two and half gardeners to help her. One permanently pushed a mower, one helped with the garden itself and the half came in each afternoon to help tend the hundreds of pot plants. I showed no interest in the mechanics of gardening but loved the beauty.

My foray into horticulture did not take place until, as an adult, I was again in the tropics. We lived in Bangkok, on Soi Attawimon. The garden was an expanse of grass which bordered one edge of a fishpond. An ornate wat, high on a pedestal placed in the corner was, morning and night, adorned with joss sticks and offerings to the temple gods by Es, our house girl. Cannas and crotons rimmed the house. 

Frangipani trees have always been a favourite, perhaps because their many-forked branches invited climbing, despite my irate mother shouting at me to get down. I don’t think Mum was concerned about a broken arm or leg, rather more the imminent snapping of her tree. Whatever the reason, I like both the delicacy of the flowers, whether white, pink, or yellow, and their fragrance.

And so I decided to plant a frangipani. Bangkok used to be known as the Venice of the East. Klongs, canals, threaded their way through the city before many were filled in and tarred over. The knock-on effect, apart from dreadful traffic jams, was a severe flooding problem. Each tropical deluge merged our pond with the garden, snakes and koi, swimming freely. The upshot of this flooding was a dense red clay below the topsoil. Heavy digging.

The Chatuchak weekend market provided the tree, about three foot tall. I can’t remember why I didn’t wait for the man who mowed the lawn to dig the hole. Most likely my normal impatience. Whatever the reason, I regretted it. 

“Madam?” Es, her voice hesitant, looked at me from the shade of the veranda, concern etched across her smooth face. “Madam, not good.”

I glanced up. “What?”

“Not good.” 

Es had a green thumb for herbs, and I expected a horticultural lesson.

“Cannot plant.”

I looked at the hole, painstakingly dug. “Why not?”

“Tree for wat, not house.” Her tone was adamant.

“Why?” I asked, sweat dripped from my face to my drenched tee shirt.

“Call lân tom. Sad flower. By wat,” she repeated.

I looked at her gentle face and all arguments fled. Who was I to ignore a cultural taboo?

I waited until the mower man came and he dug the next hole. By Es’ wat.

Thereafter, in various countries around the world, I have asked before digging. Each time we have moved on, I have been sad to leave my garden and I wonder how my gardens grow.

Thirty-five years later, on an island in the Caribbean, I have a garden I’m not leaving.

From a tan-tan and coralita jungle over which two coconut palms presided, emerged a quarry of  rotten rock, glass and Chaney, the shards of crockery from bygone eras. From that has come, with a lot of sweat, some blood but no tears, a garden that offers respite, calm and abundant pleasure.

Loathe to remove the palms, sanctuary to wasps, bananaquits and iguanas, I agreed to their removal after my husband’s magic words, “falling coconuts on grandchildren’s heads”. I missed the sound of the fronds in the trade winds, I did not miss the downward thump of nuts landing. 

We had a plan. The garden we have is nothing like the plan. Rather it has evolved. Our only hard and fast proviso demanded a garden for birds, butterflies and bees. We have all three, and even on occasion play host to a gluttonous night heron who, with great patience and stealth, steals fish from the pond.

Our planting, to a true horticulturalist, might seem haphazard but it works. Portlandia rubs shoulders with lemon grass and duranta. Natal plum nestles next to gardenia. Lantana (a weed to my Australian friends) plays nicely with ixora. Plumbago and jasmine share purple and white space. Cuban palms reach skywards, their trunks adorned with orchids. Hamelia and snow-on-the-mountain nudge the fence line with Ginger Thomas, the national flower of the Virgin Islands. A few we’ve bought – one, a bottle brush, in a nod to my Australian heritage. Some plants were in the garden – a China rose hibiscus, milk and honey lilies, mother-in-laws tongue although, it must be said, my MIL’s words were never sharp.

Plant sharing is a way of life on St Croix and so, as I wander from the patio to the pergola to the perch on the peak, I am reminded each step of the way of friendships made. Parakeet flowers, poor man’s orchid, hibiscus and gingers from Emy, cacti from Pat, orchids from Susan, all manner of unnamed seedlings from Rosalie, jatropha from Don, and from Toni and Isabel respectively a yellow and crimson frangipani.

How does my garden grow, the one I won’t be leaving? Very well, thank you!

Not Much Cheer!

December 23, 2020 — 8 Comments

Despite retail outlets starting their holiday season earlier and earlier, sometimes now even before Thanksgiving, it has always been The Nutcracker that heralded the start of Christmas for my family. Our dancer daughter was unable to stand still, so busy were her feet as she went through the various stages of the ballet to the sound of Spanish and Arabian dancers, mirlitons and sugar plum fairies in her head, and ours.

After Kate had flown away to start her own adventures I still went to the ballet. It wasn’t Christmas without Herr Stahlbaum, and his friend, the local councilman and magician, Herr Drosselmyer, giving Clara and her friends toys. One a magic nutcracker. And so, last night, a mere three days before December 25th, I wondered why I really wasn’t getting into the spirit of things, and didn’t realize why until my husband slipped Tchaikovsky into the CD player. 

And now it’s Christmas. A very different and distanced Christmas, and for many people around the world a horribly sad one as families have empty chairs around their table, and an aching heart from unexpected deaths that have riven their lives.

Lockdowns have sent people into a miserable frenzy of recriminations against their governments, but spare a thought for politicians – not something I am usually wont to do. Those in power – the ones who give a damn – are doomed to be vilified whatever option they choose. Raged at for not locking down, raged at for locking down. I imagine the best place to be, as a politician at the moment, is in opposition. It’s always easier to point fingers. 

If we were to carry The Nutcracker theme through, we could call Covid-19 the Mouse King and the reaching viral tentacles, his mice minions. The myriad of healthcare workers battling against them, globally, are of course the toy soldiers. 

My thoughts this Christmas are with them. Their exhaustion and despair, not just at the deaths to which they are witness but at the common stupidity of many fellow citizens who appear unable to self-regulate their actions. And to those others on the front lines of this pandemic who are supporting us, whether through keeping shops open, delivering packages and generally making our lives a little easier.

My thoughts this Christmas are with those in shanty towns, slums, favelas. Whatever name a country gives the areas where the impoverished eke out a livelihood, people are living in a crush of humanity, not knowing who is a Covid-carrier, who might be the next in the family to succumb, who might be dead in a few days. 

My thoughts this Christmas are with those who are isolated. Quite literally on their own. Whether young or old. Locked in small apartments. Empty streets echoing back their loneliness. Kept inside not only by a virulent pandemic but also the weather. Unable to share a glass of cheer, or a hug with a loved one, or even a stranger in the same position. 

My thoughts this Christmas are with those who might be locked in with violent partners, who are terrified a spouse or parent might, in an angry drunken rage, lash out at the children, or them.

And yes, my thoughts this Christmas are also with those disappointed by thwarted plans. But if you are not alone, whether you are with your immediate family or friends, or in a house shared with disparate people, you have someone with whom to share some cheer, even if it is muted.

A photograph, doing the rounds on social media, taken at Christmas 1914 shows the muddy trenches of World War I filled with weary soldiers. Not gingerbread or tin soldiers as in The Nutcracker but flesh and blood. They did not go home at Christmas, many never went home again. It puts disappointment at changed plans into perspective.

Perspective is something we need at the moment. Though it is not always easy to achieve particularly in the face of the flagrant disregard of some for the health of others. It astounds me that people seem unable to grasp the simple fact that masks help. If you don’t want to protect yourself, how about protecting others – grandparents, parents, children, your neighbour, your postman? 

Christmas is going to be different for many of us but let’s look to the future – look to the scientists whose achievements this year have been remarkable – then line up in our form-fitting, smile-hiding masks and have a vaccination, keep our distance a little longer and we too shall be able to join in the joyous party that takes place in The Land of Sweets. Where candies from around the world and Mother Ginger and her children, the Polichinelles, dance in jubilation that the Mouse King did not win the war.

There might not be much to cheer about at the moment but I’m going to listen to The Nutcracker again, and again, and again because good will triumph over evil, medicine will triumph over a pandemic, and we will share the magic of Christmas with our families – just not this year.

Cheers to a safe, distanced and subdued Christmas!